A few years into my Redshift journey, I realized something simple yet profoundly irritating: you can have a beautiful CG-glass object—perfectly lit, physically accurate refractions, caustics dancing just right—but when it hits the composite, the alpha channel is all wrong. A flat white blob. An opaque mask where transparency should live. The glass behaves like plastic, and suddenly 90% of your compositing magic goes into fix-up rather than artistry. Check out this video to se

Previously I showed you how to texture box art for a product shot using the "Set Selection" tag in #Cinema4D as well as #Element3D in...

Creating #3D renders of box art for a product shot?? In this #Tutorial, I show you how to use the "Set Selection" tag in #Cinema4D to...

Quite a few years back, I worked with Greenberg Direct to create some #3Dmodels and #3Danimations for a direct response commercial that...